Showing posts with label Adobe Photoshop CS4. Show all posts
Showing posts with label Adobe Photoshop CS4. Show all posts

Monday, January 30, 2012

How to whiten teeth in Photoshop CS4

Many artists will photoshop models and actors these days for magazines, shows, or advertisements. One of the most prevalent changes has to do with teeth whitening, which is not that difficult to do. Even if you're not working on professional photos, you still might have some pictures you want to clean up. So in this tutorial, we're going to look at how to whiten a model's teeth using Photoshop CS4.

First, open the picture you want to use in Photoshop. I'm using a stock photo of teeth from MorgueFile. Once you've loaded the document, press Q on your keyboard to enter quick mask mode; this will allow us to paint a selection. Click on the brush tool on the Tools panel (on the left hand side of the workspace), then click on the color swatch at the bottom of the Tools panel and change the color to black. You'll use black to make a selection and white to erase a part of a selection. Make sure you have a relatively small brush size to start with by clicking the arrow next to the brush tip preview along the top bar (mine's set to 24 px).

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Using the brush tool, paint a selection around the edges of the teeth first. Carefully outline them; a pink-red color should appear as you paint. If you make a mistake or slip, you can always change the color to white and paint over it to erase it. Keep working until you've outlined all the teeth neatly.

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Now change the brush size to something larger (like 66 px) and brush over the middle of each tooth, taking care to stay inside the outlines. Again, if you make a mistake, you can brush over it using white.

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Once you've made sure you've painted over every bit that you want included in the selection, press Q to exit quick mask mode. You'll see the marching ants marquee appear around the area and the rest of the picture; this means that everything except the teeth are selected. So we need to click Select (along the top bar) and Inverse in order to select the teeth.

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Now it's time to whiten the teeth. To do this, we need to add an adjustment layer. Click on Layer, then New Adjustment Layer, then Hue/Saturation. Navigate to the right hand side of the workspace and find the adjustments panel above the layer panel, then move the saturation slider to the left to desaturate it and get rid of the yellow. I've moved mine down to about -40. Then you can move the Lightness slider up a little bit (I've moved mine to about +15) so add more whiteness. If you find any places where the white overlaps the gums, then you can grab a black brush to fix it.

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It's that simple! You can play around with it to get the amount of whiteness you want; just be sure that it looks somewhat natural and that you don't have too much gray by desaturating too much.

About CODANK Web Design

CODANK is a top rated Web Design and Internet Marketing firm located in Charlotte, NC. We are dedicated to providing the highest quality, cost effective custom software development services, delivering a broad range of business consulting and outsourcing services.

For more information, visit us at www.codank.com

Thursday, January 19, 2012

How to paste a picture on a TV in Photoshop CS4

If you pay attention to advertising, then you might have wondered how the photographer captured the picture on television and computer screens so clearly. Generally, taking a picture of a screen won't render properly and will leave you with a poor photograph. For this reason, graphic designers usually photoshop the picture on blank television or computer screens. In this tutorial, we're going to look at how to paste a photograph on a television screen in Photoshop CS4.

First, select the pictures you want to use. I'm using a stock photo of a television from stock.xchng and a stock photo of a butterfly from MorgueFile. Open both files in Photoshop and look at their sizes by pressing Ctrl + Alt + I or going to the top bar and clicking Image and then Image Size. Compare their sizes and - making sure the constrain proportions and scale styles checkboxes are selected - reduce the size of the butterfly. I've reduced the width to 800 px (though this can always be made larger or smaller later).

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Now switch back to the photo of the TV. We need to select the inside of the screen, and the easiest way to do that is with the polygonal lasso tool. Click on the little black arrow at the corner of the lasso tool for more options and select the polygonal lasso tool.

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Click on each of the four corners of the television screen, making sure to draw the line just the smallest bit past the black edge framing it because you don't want to leave any white spaces. Once you finish, click back on the first point to complete the selection; you should see the marching ants marquee appear.

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Switch back to the butterfly picture and select it by pressing Ctrl + A or going to the top bar and clicking Select then All. Copy the picture and go back to the tab with the television. Next, go to the top bar and click Edit then Paste Into to put the picture inside your selection.

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The picture will appear, but it won't fit the screen just right because of the angle of the television. To adjust the picture angle to match the television, we need to transform it. Go to the top bar and click Edit, then Transform, then Perspective.

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Use the corners on the bounding box to tilt the picture to the right; since the television's right side is pushed back, you should pull on the right side of the picture as well. Once you are done with that, click on the arrow at the top of the workspace to apply the transformation. Then, press Ctrl + T to further transform the picture and make it bigger to fit the TV screen. Hold down on the Shift key while pulling on one of the corners to constrain the proportions. You may have to give it more perspective when you're finished scaling it.

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The only thing left to do is give the picture layer an inner shadow to give it some depth. Click on the fx at the bottom of the Layers panel on the right hand side of the workspace. From there, choose Blending Options and then Inner Shadow. You want the distance and the size to be 8 px and the angle to be 30 degrees.

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And it's that simple! Once you get the hang of it, editing images of televisions and computers for your ads will be a snap. You can always call a web and graphic design company, such as Codank Web Design, for help with your graphics.

About CODANK Web Design

CODANK is a top rated Web Design and Internet Marketing firm located in Charlotte, NC. We are dedicated to providing the highest quality, cost effective custom software development services, delivering a broad range of business consulting and outsourcing services.

For more information, visit us at www.codank.com

Tuesday, January 17, 2012

How to make regular photos look like miniature models

You may have come across photographs that make something normal (like a street with cars) look like a miniature model. Normally, this effect is created by something called tilt-shift photography, which requires a specific lens that can be extremely expensive. Although you can learn to create this effect through photography if you want, it is easier (and cheaper) to achieve it by using a digital photo editing program. In this tutorial, we're going to see how to recreate a tilt-shift effect using Photoshop CS4.

First, find the picture you want to use. I'm using a stock photo of a city from Morguefile, but you can use any photo you'd like, as long as it was taken from an angle that is higher than the object you want to focus on. Once you've found your photograph, open it in Photoshop and select the gradient tool from the Tools panel on the left hand side of the workspace. If you don't see the gradient tool, click the little black arrow at the corner of the paint bucket tool to show more options.

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Click the drowdown arrow next to the gradient preview bar and choose the black to white gradient. Then, choose the reflected gradient type from the options next to the preview bar (it's the second to last one).

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Press the Q key to enter quick mask mode. Then find one of the taller buildings and click a third of the way from the top, dragging the gradient down a little (but don't drag it all the way down). You may need to keep playing with this until you're satisfied with the selection (it will show up in red).

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Press the Q key again to exit quick mask mode. The marching ants marquee should appear everywhere but the selection you made in quick mask mode. Now we're ready to add a blur to make it look like the photograph is being taken from closer than it is. Go to the top bar and click Filter, then Blur, then Lens Blur.

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A preview window that fills the whole screen will appear. Keep the default settings (unless you wish to play around with them) except for the radius, which will be changed to 20. This will change the amount of blur in the picture.

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Once you've applied the Lens blur, you can leave it at that if you want - or you can play with adjustments to enhance the picture a bit more. I wanted to adjust the saturation and the contrast, so I decided to add some adjustment layers. To do this, I clicked on Layer, then New Adjustment Layer, then Hue/Saturation.

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The adjustments window should appear in the panels on the right hand side of the screen. I dragged mine out of the panels, but you can leave yours where it is. Play around with the saturation until you're satisfied with the way the picture looks; I changed mine to 30.

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Go back to the top bar and click on Layer and New Adjustment Layer again. This time, select Brightness/Contrast from the list of options. I just wanted to darken the contrast a little bit, so I set the contrast to 5. If you'd prefer a different value, then you can play around and find what looks best for the photo you're using.

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And that's it! Creating a tilt-shift effect in Photoshop isn't hard and it doesn't take that long. The most time will be spent figuring out where you want the blur to be and tweaking the adjustments.

About CODANK Web Design

CODANK is a top rated Web Design and Internet Marketing firm located in Charlotte, NC. We are dedicated to providing the highest quality, cost effective custom software development services, delivering a broad range of business consulting and outsourcing services.

For more information, visit us at www.codank.com

Thursday, January 12, 2012

How to create snow in Photoshop CS4

It's officially winter, and though the holiday season is behind us, you may still want to add spice to your seasonal pictures. Here in the South, snow isn't as frequent and when it does happen, you might not have your camera to capture that magical moment. However, you'll still be able to dress up your photograph and add snow in later. In this tutorial, we're going to look at how to create falling snow in Photoshop CS4.

First, open the picture you want to use in Photoshop. I'm using a stock photo of snow on the ground from MorgueFile. Once you've opened the picture, find the color swatches at the bottom left of the workspace in the Tools panel. Click on the first one and use the color picker to change the color to white. Then select the brush tool from the Tools panel and navigate to the top bar along the workspace. Change the brush tip size to 5 px and the hardness to 0%. Also find the opacity dropdown next to the brush mode dropdown and change it to 55%.

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We need to customize the brush a little more, so go to the top bar and click on Window. From the list, choose Brushes so the Brushes window will show.

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Click on Brush Tip Shape in the Brushes window and look at the options. Go to the bottom of the window where it says Spacing. Change the spacing to a higher number, such as 386%, to break up the continuous line into individual dots.

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Now click on Scattering to select the checkbox and scatter the dots. Make sure the checkbox for both axes is selected and move the scatter slider to 1000%. Make sure the count is set to 1 and the count jitter to 100%.

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It's time to create a new layer so we won't mess up the background if we don't like the outcome. Go to the top bar and click on Layer then New then Layer.

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Now take the brush tool and start making diagonal strokes in the direction you want the wind to be blowing. Just give it a very slight angle to make it realistic. Brush over the whole picture and then go back over it with curly-cue motions to give it more body. If you need to, you can duplicate the layer by pressing Ctrl + J and then use the move tool to make more snowflakes.

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At this point, we're almost done but we need to make the snow more realistic and make it look like it's in motion. Go to the top bar and click on Filter, then Blur, then Motion Blur.

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When the Motion Blur dialogue box comes up, set the angle of the blur to whatever you'd like; I've set mine to 45 degrees. You should also set the distance relatively low (I've chosen 8 px). Don't go lower than 7 px or it won't look realistic.

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At this point, we're done! Creating a snowy effect isn't hard to do - and it can make your seasonal photographs or cards look all the nicer.

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About CODANK Web Design

CODANK is a top rated Web Design and Internet Marketing firm located in Charlotte, NC. We are dedicated to providing the highest quality, cost effective custom software development services, delivering a broad range of business consulting and outsourcing services.

For more information, visit us at www.codank.com

Friday, January 6, 2012

How to use the clone stamp tool in Photoshop

There will be times where you have a photograph that is almost ready to use - except for one or two details. It is inevitable that there will be things about a photograph that you don't like and that you want to change. Photoshop makes it easier to get the look you're going for, even if you want to edit a part of the picture out. In this tutorial, we'll look at how to use the clone stamp tool in Photoshop CS4 to remove an unwanted berry.

First, open the picture of the berries in Photoshop. You don't want to override your original picture, in case you want to use it some day, so save it under a different name (such as clone stamp sample) by clicking on File then Save As. The next thing you should do is analyze your picture and look at what you need to change or remove; you can use the zoom tool (the magnifying glass in the Tools panel on the left hand side of the workspace) if you need to. Are there any elements that stick out or detract from the overall composition? In this case, I felt as though the berry on the far right took away from the focus too much, and I wanted to remove it.

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Use the zoom tool to zoom in on the stem of the berry. Look for where it is attached, then select the clone stamp tool (it's right under the brush tool) from the Tools panel. Go to the top bar and change the brush size to something like 20 px, then make sure that the brush opacity is set for 100%.

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Hold down the ALT button until you see the crosshair appear in the brush circle, then click on an area close to the stem. This will copy those pixels and let you drag the selection over the area you paint, concealing it. The crosshair will move with the brush, selecting new pixels as you go, so make sure you don't select pixels right up on the very edge of the stem. Continue to brush and select new areas along the stem until you've painted over the whole thing.

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Do the exact same thing for the rest of the berry. You can make your stamp size larger, but keep in mind that the bigger it is, the more adjacent pixels it will pick up with each selection and movement. Paint along each edge carefully, working your way into the center of the berry. Once you're finished, you can grab the healing brush tool (it looks like a band-aid) and brush over any patterns that stick out to smooth it over.

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This was an easier example, but there will be pictures that are more difficult to work with. It takes time and practice to master the use of the clone stamp, but it is a very powerful tool that you should know how to use if you plan on working with Photoshop.

About CODANK Web Design

CODANK is a top rated Web Design and Internet Marketing firm located in Charlotte, NC. We are dedicated to providing the highest quality, cost effective custom software development services, delivering a broad range of business consulting and outsourcing services.

For more information, visit us at www.codank.com

Wednesday, January 4, 2012

How to create a computer wallpaper in Photoshop CS4

When customizing a computer, one of the first things to be changed is usually the theme or the background wallpaper. You can find many free wallpapers online, but sometimes you might want to create your own. In this tutorial, we're going to look at how to make color adjustments, abstract lines, and a simple composition in Photoshop CS4 to help you learn how to create your own computer wallpaper.

The first thing you need to do is find out your screen resolution (size). This works a bit differently in Windows Vista and 7 than it did with XP or earlier. To change the desktop in Windows XP or earlier, right click on the desktop and choose Properties. Then click on the Settings tab and you should see your screen resolution. In Vista or 7, right click on the desktop and choose Personalize. Then find the option Display in the lower left hand corner of the Control panel window. Once the Display window shows, look over on the left-hand pane and click on Adjust Resolution. You'll be able to see your screen resolution from there. Mine is 1900 x 1200, so I make note of this and exit the control panel window.

Find the picture you want to use in the background of your wallpaper. For this picture, I've decided to use a bokeh picture from MorgueFile. Once you open the picture in Photoshop, go to the top bar and click on Image then Image Size to check the size. This particular one is larger than I need it to be, so I adjust the width to 1900 px (the height can also be adjusted some by cropping the photo). Just make sure that the checkbox for Constrain Proportions is checked.

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Now we need to adjust the coloration. To do this, we need to neutralize the colors already present first by adding a black and white adjustment layer. Click on Layer and then New Adjustment Layer; choose Black and White from the options available. You can navigate to the Adjustments panel on the right hand side of the work space (and if you don't see it click on Window, then Adjustments) and change the sliders to make certain colors look more black or white. In this case, though, I've left the default settings.

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Next, we need a layer to add some color to our picture. To do this, click on Layer, then New Adjustment Layer, then Hue/Saturation. In the Adjustments panel, check the box next to Colorize and change the values to the following: Hue = 237, Saturation = 49, and Lightness = -10.

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Open the second picture you want to use. I've decided to use a black-and-white photograph of roses from MorgueFile. I want to make some contrast adjustments, so the first thing I need to do is add an adjustment layer. Click on Layer, New Adjustment Layer, then Brightness/Contrast. Change the Brightness setting to -60 to adjust the lighting. You can play around with the settings until you're satisfied.

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With the adjustment layer selected, right click and then choose Merge Layers from the list of options. This way, the changes are applied and we can make a selection of both layers.

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Now we need to select the roses so we can copy them into the other document. Select the magnetic lasso tool from the Tools panel on the left hand side of the work space. Near the top bar, there is a list of options to customize the tool; find where it says Feather and change that to 2 px. This will make our selection have a nice, soft edge and will allow it to blend in more with the rest of the composition, smoothing out any sharp or jagged edges. After you do that, carefully drag the magnetic lasso around the roses and click to create new points where the tool doesn't want to take. When you come back around, you should see a little circle near the top of the tool pointer; click the starting point and it will select the roses.

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Copy the selection and switch back to your wallpaper document, where you will paste the roses. Press Ctrl + T to scale the roses down; drag a corner of the bounding box in while holding down Shift to keep it proportional. Once you're satisfied, click on the check mark at the top of the workspace.

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We need to get rid of some of the dark background from the roses photograph that is still there between the stems. Hide the bokeh background layer by clicking on the eye next to the layer thumbnail in the Layers panel. Then, click on the zoom tool in the Tools panel (it looks like a magnifying glass). Zoom in until you're comfortable, then choose the magnetic lasso again and select the dark areas that are still left over, pressing delete after each selection.

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Click on the eye icon next to the bokeh background layer to unhide it. I wanted to add some color to my roses at this point, so I made two new layers above the rose photograph layer - one for the petals and one for the stems. To create a new layer, click on Layer then New then Layer - and you can give them names to differentiate them when the new layer dialogue box appears. Once you've done that, it might be a good idea to group some layers so the Layers panel is more organized. To group the layers that make up the roses, click on Layer then New then Group and give your group a name just like you would a layer, then drag the layers you want to include into the group.

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Next, click on the brush tool in the Tools panel, then the color swatches at the bottom of the Tools panel to change the color. I chose a blue color (hexadecimal 066AFF) for the petals and a dark green (hexadecimal 07180B) for the stems.

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Select the petals layer and go to the top of the Layers panel. Where it says Normal, click on the drop down and choose Overlay from the list of options. This will allow you to brush a color on the petals while keeping the texture, shadows, and lighting from the layer below. Be sure to choose Overlay for the stems layer as well.

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Use the brush tool to carefully paint the blue color over the petals. If you make a mistake, you can always use the eraser tool to fix it. Use a bigger brush for the middle of the flowers and a smaller one for the edges. When working with a dark background, you may notice that any brush strokes that go outside the lines don't show up. They're still there, but since the mode is set to Overlay, it won't show up. If you were working with a background that was any other color than black, then it would show up. If you want to make sure this doesn't happen, then hide the bokeh background layer so you can see where you're brushing.

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Do the same thing with the stems, using the green color. Once you've finished coloring and cleaning up any stray lines, go to the top of the Layers panel where the opacity dropdown is. Move the slider or type in the number 80 to make it a little lighter and to mix in more of the underlying gray, so it won't look too dark.

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We're not done yet; now we might want to spice it up by adding some abstract lines, so create a new layer. Making sure that you have your foreground color set to the same blue as the petals, click on the line tool in the Tools panel (you might find it under another shape tool, in which case you should click on the little black arrow at the corner of the shape tool button). Drag a medium sized diagonal line out over the document. You can draw a second one next to it - or copy it by right clicking on the shape layer and clicking Duplicate Layer.

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After you have two lines, select both line layers by pressing down Ctrl while clicking on them. Again, right click and select Duplicate Layer. Do this one more time when you have four lines so you will have eight. You can use the move tool at the top of the Tools panel to adjust spacing. Then, make sure you have all the line layers selected, right click, and choose Merge Layers.

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Now we want to make the lines have a bit of wave. There are a couple of ways you can go about this, but I want to use a transform. So click on Edit, Transform, then Warp. This gives you more control over where the wave goes.

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Pull on the corners and the lines until you're satisfied; I've made my lines swish around the roses to give it a sense of movement.

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Next, we want to add some interest to the lines. I've decided to give mine a bit of a glow. So right click on the Lines layer and choose Duplicate Layer. Then, use the move tool and the arrow keys to nudge it over to the left by two spaces.

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Select the bottom lines layer (the original lines layer) and click on the fx at the bottom of the Layers panel. Then choose Blending Options.

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We want to add a glow, so click on outer glow and then click on the color swatch in the Blending Options dialogue window. Use the eyedropper to pick up a purple color from the bokeh background. Next, change the Technique to Precise, the spread to 5%, and the size to 8 px. This will all make it a bit more noticeable.

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To make the glow look more convincing, we should blur the layer. Make sure that the bottom lines layer is selected, then go to the top bar and click Filter. Next, click on Blur, then Gaussian blur. You can use a radius of 2.0 when the dialogue box pops up.

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Finally, select the Lines copy layer and change the Layer mode to Color Dodge. This will make the lines a lighter color of whatever they overlay, sort of like a highlight.

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And that's it! Now you know how to create a background wallpaper in Photoshop. You don't need to stick with this design by any means; playing around with Photoshop will help you learn new things and learn how to create beautiful compositions and designs.

About CODANK Web Design

CODANK is a top rated Web Design and Internet Marketing firm located in Charlotte, NC. We are dedicated to providing the highest quality, cost effective custom software development services, delivering a broad range of business consulting and outsourcing services.

For more information, visit us at www.codank.com